Modern Media Studies

MMS, Vol. 1, No. 2, 2025, pp.206-215.

Print ISSN: 3078-3151; Online ISSN: 3104-5049

Journal homepage: https://www.mmsjournal.com

DOI: Https://doi.org/10.64058/MMS.25.2.04

重构女性“觉醒”乌托邦——《她对此感到厌烦》的跨媒介叙事

娄雪晶（Lou Xuejing）

摘要：从网络小说到小剧场音乐剧，《她对此感到厌烦》呈现出“游戏—小说—剧场”三个媒介维度的跨媒介改编。基于解构乙女游戏的叙事框架，批判传统浪漫幻想背后的性别压迫，《她厌》尝试构建一种以女性为主体、强调自我觉醒与联合的新型叙事范式。《她厌》的跨媒介叙事不仅涉及女性主义、媒介技术与文化消费的复杂实践，也暴露了女性“觉醒”叙事在跨媒介改编中面临的简化与矛盾。虽然《她厌》为女性题材创作提供了新的可能性，但也折射出性别意识与文化消费之间的复杂张力。

关键词：《她为此感到厌烦》；跨媒介叙事；乙女游戏；小剧场音乐剧

作者简介：娄雪晶，广州应用科技学院文学与传媒学院助教，研究方向：戏剧影视文学。电邮：Lunalou1996@163.com。

Title: Reimagining the Female “Awakening” Utopia: The Transmedia Storytelling of She Was Tired

Abstract: From web novel to small-scale musical theatre, She Was Tired demonstrates a transmedia adaptation across three distinct media dimensions: game, novel, and theatre. By deconstructing the narrative framework of otome games and critiquing the gender oppression underlying traditional romantic fantasies, She Was Tired attempts to construct a new narrative paradigm centered on female subjectivity, emphasizing self-awakening and solidarity. The transmedia storytelling of She Was Tired not only engages in complex practices involving feminism, media technology, and cultural consumption but also exposes the simplifications and contradictions inherent in adapting narratives of feminist “awakening” across media. While She Was Tired opens up new possibilities for feminist-themed creative works, it also reflects the complex tensions between gender consciousness and cultural consumption.

Keywords: She Was Tired; Transmedia Storytelling; Otome Game; Small-Scale Musical Theatre

Author Biography: Lou Xuejing, Teaching Assistant, School of Literature and Media, Guangzhou Institute of Applied Science and Technology. Research Interests: Theatre, Film and Television Literature. E-mail: Lunalou1996@163.com.

Received: 20 Sep 2025 / Revised: 01 Nov 2025 / Accepted: 05 Nov 2025 / Published online: 30 Nov 2025 / Print published: 30 Dec 2025