Modern Media Studies
MMS, Vol. 2, No. 1, 2026, pp.84-98.
Print ISSN: 3078-3151; Online ISSN: 3104-5049
Journal homepage: https://www.mmsjournal.com
DOI: Https://doi.org/10.64058/mms260108splsc
梁语桐（Liang Yutong），杨红光（Yang Hongguang）
摘要：俄罗斯作曲家谢尔盖·伊万诺维奇·塔涅耶夫（Танеев，Сергей Иванович，1856-1915）的合唱作品《大马士革的圣约翰》是其音乐创作巅峰之作，结合了复调技法与俄罗斯民族音乐元素，彰显出宏伟庄重的艺术风格。本论文以该作品为主要研究对象，通过对其音乐结构、复调技法、创作思维及风格特征的分析，探讨塔涅耶夫音乐创作的艺术价值与学术意义。
关键词：塔涅耶夫；《大马士革的圣约翰》；复调技法；镜像结构；对位法；
作者简介：梁语桐，宁波大学音乐学院硕士研究生，研究方向：作曲与作曲技术理论。电邮：129413750@qq.com。杨红光（通讯作者），宁波大学音乐学院教授，研究方向：作曲与作曲技术理论，电影音乐。电邮：998765@qq.com。
Title: The Sacred Polyphonic Labyrinth: A Study of the Compositional Techniques in the Third Movement of Taneyev’s St. John of Damascus
Abstract: The choral work St. John of Damascus by Russian composer Sergei Ivanovich Taneyev (1856–1915) stands as the culmination of his musical creativity, masterfully integrating polyphonic techniques with elements of Russian national music, and exhibiting a grand and solemn artistic style. This paper takes the work as its primary subject of study and, through an analysis of its musical structure, polyphonic techniques, compositional thinking, and stylistic features, explores the artistic value and scholarly significance of Taneyev’s musical oeuvre.
Keywords: Taneyev; St. John of Damascus; Polyphonic Techniques; Mirror Structure; Counterpoint
Author Biographies: Liang Yutong, Master’s student at the School of Music, Ningbo University. Research interests: Composition and the Theory of Compositional Techniques. E-mail: 129413750@qq.com. Yang Hongguang (Corresponding Author), Professor at the School of Music, Ningbo University. Research interests: Composition and the Theory of Compositional Techniques, Film Music. E-mail: 998765@qq.com.
Received: 30 Mar 2026 / Revised: 23 Apr 2026 / Accepted: 27 Apr 2026 / Published online: 30 Apr 2026 / Print published: 30 May 2026.
